Showing posts with label Horror Movies. Show all posts
Showing posts with label Horror Movies. Show all posts

Monday, September 23, 2019

10 Underrated Horror Films Streaming FOR FREE on Tubi


Since the dawn of time, the broke(n) have cried out for a savior. The cheap have searched for another way. The penny-pinchers have pinched their pennies and clutched them tightly with well wishes of having to spend nary a cent on the horror movies they're so desperate to see. Who will be the hero they're holding out for? Who will be the almighty entity who answers their prayers?

The answer is Tubi.

Tubi is a streaming service that you can download right now - like, right this very second - and have access to thousands of movies that you can watch for no cost whatsoever. None. You can save those pennies for the important things in life. You can shove 'em in a piggy bank and save them for your babies or you can say to hell with those babies and munch on a Crunchwrap Supreme from Taco Bell while you scroll the infinite selection of film at your fingertips. Tubi gives you the freedom to make that decision, however difficult it may be (It's not that difficult, you know you're hungry).

In honor of Tubi being such an underrated and undervalued streaming service, I'm throwing a few horror titles your way that find themselves in the same boat. Like Tubi, these films totally rule but haven't quite received the respect and/or widespread recognition they deserve. Each of them, of course, can be streamed for free right now on the Tubi app, so grab yourself a Crunchwrap (They're good to go) and let the streaming begin!

The Loved Ones (2009)




Not exactly underrated (The Loved Ones boasts an impressive 98% on Rotten Tomatoes), Sean Byrne's near-perfect directorial debut has somehow fallen by the wayside in its ten years of existence. Featuring solid performances all around and an especially remarkable villain turn by Robin McLeavy as the bat-shit bubblegum princess of sadistic torture, The Loved Ones makes for a twisted, violent, and surprisingly emotional watch.

Ticks (1993)




Ticks suck... literally. Tony Randel's campy creature feature about massive mutated ticks attacking a group of troubled teens and social workers in the forests of California, though, does not. The performances here aren't great, admittedly, but the creature effects hold up (mostly) and are plenty effective for those of you looking for the cheese-topped heebie jeebies.

(I'm morally obligated to issue a severe trigger warning for fans of dogs, because yikes)

Frozen (2010)



Sticking with themes of animals and wilderness, Frozen is the type of film that makes you want to stay in your house forever. Directed by Hatchet's Adam Green, Frozen follows a group of friends who find themselves at the mercy of nature and a pack of hungry wolves when they become trapped in a ski lift. This is a tension-filled showcase for Green, who uses the setting and premise to toy with our anxiety and deliver a tight, gut-churning and sometimes heartbreaking 90 minutes of horror.

Darling (2016)



Darling plays like a cross between Rosemary's Baby and The Shining, with director Mickey Keating doing his best impressions of Roman Polanski and Stanley Kubrick behind the camera. That's not to say that Darling is a pale imitation, however. There is an undeniable influence behind Keating's work, but the film shines with its classic signature. Keating finds beauty within the cracks of his lead character's sanity, and Lauren Ashley Carter elevates that beauty with a god-tier performance. As her titular character escalates into madness, you'll find that she deserves to be mentioned in the same breath as the Mia Farrows and Jack Nicholsons that came before her.

Splinter (2008)



As far as monster movies go, Splinter checks all the boxes: The creature design is solid and utilized in ways that mask the film's modest budget, the performances are above average for a trapped-in-the-gas-station sort of B-movie (Shea Whigham ALWAYS kicks ass), and it sustains tension and adrenaline for most of its run-time. It may not be the most groundbreaking monster movie you'll ever see, but it successfully adheres to a tried and true formula.

Digging Up the Marrow (2015)



Adam Green has forged a career out of his passionate love for all things horror, so it comes as no surprise that he'd rear his head more than once on this list. Digging Up the Marrow is, at its core, a showcase for that love. It's a meta documentary-style film that stars Green as a fictionalized version of  himself who just so happens to be making a documentary about monsters. There's a deep affection and appreciation for the genre on display throughout the film, but Digging Up the Marrow is equally fueled by a juicy performance from Ray Wise as a man with proof that monsters actually exist. Green's film is hilarious and endearing without sacrificing tension, and you can watch it for free (!!!) right now. What a treat.

They Look Like People (2016)



They Look Like People is a shining example of how effective psychological horror can be on a modest budget. The film follows a pair of friends who reunite in New York City after some time apart. Though their friendship blossoms, one of the friends (Played magnificently by MacLeod Andrews) struggles to gain a grip on reality due to his belief that the human race is being taken over by evil creatures. The bond between the friends and the chemistry between the actors are the driving force behind They Look Like People's success, and first-time director Perry Blackshear slowly twists the tension that is built between them in a film that keeps you guessing until the very end. It's a borderline masterpiece that deserves a bigger audience.

Borderland (2007)



Loosely based on a terrifying true story, Borderland is a gritty and raw horror film reminiscent of Tobe Hooper's Texas Chain Saw Massacre. It's a disturbing tale of college students on vacation in Mexico who become involved with a sadistic religious cult that practices human sacrifice. Though hardly an easy watch as mostly-likable characters are given a horrifically haunting demise, it's a cut above the films with a similar premise that demands to be seen for its confident brutality and willingness to push boundaries.

Triangle (2009)



Triangle is the sort of film that benefits from knowing as little as possible before viewing, but I can offer you this without ruining your experience: The film takes a science fiction premise and twists it to thrilling and often horrifying effect. Melissa George is phenomenal in the lead role, grounding the film's heady sci-fi and genre thrills with a performance that is emotionally compelling and unexpectedly moving. It's the best kind of mind-fuck and it demands to be experienced.

The Sacrament (2014)



Ti West is largely known throughout the horror community as the filmmaker behind The House of the Devil and The Innkeepers, both of which are extraordinary. For whatever reason, The Sacrament hasn't earned that same recognition, but I'm here to tell you that this is West's most intense and unnerving film to date. Inspired by the disturbing real-life Jonestown Massacre, The Sacrament relentlessly builds tension and anxiety until its climax, where the events of the film mirror those that really took place. It's a sick, bleak and panic inducing look into the evil of power-hungry men and their manipulation of wayward souls.

Thursday, December 13, 2018

Christmas Evil (1980) and the Holiday Spirit


Christmas slashers are a beloved subgenre that horror fans tend to gravitate towards throughout the holiday season. Films such as Black Christmas (1974), which frequents the upper half of “greatest slasher movies” lists, and Silent Night, Deadly Night (1984) dominate the month of December, but it’s a less popular slasher flick that truly understands the spirit of Christmas.

Lewis Jackson’s Christmas Evil (also titled You Better Watch Out and Terror in Toyland) was released in 1980 during the slasher craze. Unlike many of the films that predate it or came after its release, however, Jackson’s killer is the empathetic central character of this story. 33 years prior to the main events of the film, young Harry Stadling sits joyfully on the stairs with his brother, Philip, and their mom, watching as Santa Claus delivers presents and helps himself to the milk and cookies that the Stadlings have left for him. Harry, eager to believe in the fantastic, cannot be persuaded by Philip that the Santa in their living room was simply their father in disguise. Harry leaves his bed to sit on the stairs, attempting to once more catch a glimpse of Santa Claus, only to discover that Santa was, in fact, his own dad.

Now an adult, Harry (Brandon Maggart) has never quite healed from the heartbreak of that evening. All he ever wanted from life was something to believe in and for someone to believe with- a wish that was never granted by his younger brother (Jeffrey DeMunn). He’s an outcast among his peers at the toy factory in which he works, but he takes the toy business very seriously. Away from work, Harry is obsessed with becoming the real Santa Claus: His apartment is filled with holiday decor, he sleeps in a Santa outfit, and he spies on the local children, marking their behavior on a list, just as St. Nicholas would. On Christmas Eve, Harry takes it upon himself to deliver gifts to all the good boys and girls, and slash the parents who would dare ruin the holiday.

Christmas Evil isn’t without tension or bloodshed, but those things aren’t the homestead of what makes this film so special. By focusing primarily on Harry as a character, the audience has empathy for him and what he seeks to accomplish, even if it’s deranged and creepy. There’s a twinkle in his eye when he spots a well-behaved child, and while that may prove sadistic in another horror film, it’s quite innocent here. Harry, fueled by his own disappointment, wants to give these children something to believe in other than the cruel world around them. He wants to provide the sense of magic that was robbed from him during his lonely youth.

His mental anguish drives him to commit terrible, reprehensible atrocities such as killing bullying adults outside of a church on Christmas Eve, but on the same evening, he delivers a van (decked out with sleigh art on its sliding door) filled with presents to sick children in a hospital. He’s complex, and so is the film he belongs to. This is a horror film that celebrates youthful innocence and punishes those who take it away. It’s a slasher flick, but even more so, it’s a Christmas movie. It’s a slow-burning character study that gives us a glimpse into the mind of a madman, while also showcasing the genuinely pure spirit of Christmas that he abides by.

If that very same spirit is what you seek this December, I encourage you to give this largely ignored film a shot. You’ll be frightened by the mind of a deranged man, but you’ll be inspired by the goodness in his heart. What more could you want from a Christmas film?

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